When soprano Adriana Ferrarese del Bene performed she had a peculiar habit of dropping her chin for low notes and throwing her head back for high notes. Wolfgang Amadeus Mozart, working with her for the 1790 premiere of his opera Cosi fan tutte, noticed this immediately. He composed her big aria Come scoglio with wild jumps between low and high notes to force her head to bob up and down like a chicken pecking at grain. The aria became one of the most challenging pieces for a soprano, showcasing

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