Late one night after his wife and kids were asleep, Scott Aiges started strumming Tom Petty’s “Refugee” on guitar, but with a reggae lilt. A light bulb went off: Wouldn’t it be great for a band to ...
It’s Sept. 25, 1985 at the Palace Theatre in downtown New Haven, Conn., and the buoyant staccato guitar rhythm, breezy sax and distinctly ’80s synth-pop has the crowd footloose. UB40, which has since ...
1980sThe 1980s signaled the birth of an additional musical era, and the slow demise of another. With the help of producer King Jammy and musicians Steely and Clevy, Dub made way for a faster, more ...
Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook Forget about the synthetic “oonce oonce” of techno: Latin music is the ultimate form of dance ...
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